American Psycho review: a thrilling musical take on the horror/comedy classic

But this on stage adaptation of Bret Easton Ellis’ iconic 1991 novel almost feels like the original with its laugh-a-minute script and synth-pop infused score.

It’s also not Rupert Goold’s first take on the modern classic - with the Almeida's artistic director putting on the first musical version at the same venue in 2013.

This iteration may be bursting with a unique colour and energy, but it's still littered with references to and takes much influence from Mary Harron’s version starring Christian Bale as Patrick Bateman.

Those aware of the 2000 Hollywood satire of Wall Street bankers and consumerism will be familiar with the opening.

‘My name is Patrick Bateman. I’m 27 years old. I believe in taking care of myself; with a balanced diet and rigorous exercise routine,’ Bale says silkily.

Popping up from beneath the centre of the Almeida’s stage as the lights come on, leading man Arty Frouchan channels a similar energy.

Frouchan is an apt choice to pay the yuppie investment banker thanks to his frat boy aesthetic and slick delivery.

The character, who is obsessed with status and prestige, gradually descends from an overly confident undetectable killer into an anxious wreck.

Frouchan's Bateman crams in as many satirical references to big brands as possible before spontaneously bursting into song in typical musical fashion - and he pulls this off well.

He is helped by a strong supporting cast. Daniel Bravo is particularly funny as Bateman's arch nemesis Paul Owen, who riles up the killer when he shows him up in front of his colleagues with a better business card.

Roberto Aguirre-Sacasa’s comedic songwriting accompanies Duncan Sheik’s pulsating electronic score that burst cheesy 80s goodness.

The story turns dark in between the jokes - and Es Devlin’s stage design and lighting helps compliment the quick shift in mood.

The lights beam red when Bateman smells blood as he reveals his victims tied up and gagged - but it’s not long before the laughs return. This somewhat dials the tension back down just when it feels a crescendo is building.

The jokes are still welcome though and the retelling of the toxic masculinity tale feels topical - even featuring an on-the-nose encounter with Donald Trump after Bateman repeatedly expresses his love for ‘The Art of the Deal’.

All in all this is a thrilling ride well worth a watch with rarely a dull moment.

‘American Psycho’ runs at London’s Almeida Theatre until 14 March.