Mao pins worn by Chinese athletes may test Olympic rules

3 August 2021, 07:44

Bao Shanju, left, and Zhong Tianshi , of China
Tokyo Olympics Cycling. Picture: PA

The International Olympic Committee said it is “looking into the matter” after the winners of the women’s sprint in track cycling wore the badges.

The image of Communist China’s founding leader, Mao Zedong, made an unscheduled appearance at the Tokyo Olympics, and the International Olympic Committee (IOC) said on Tuesday it is “looking into the matter”.

The gesture — Mao pin badges worn by two Chinese gold medallists at their medal ceremony — risks being judged a breach of Olympic Charter Rule 50, which prohibits political statements on the podium at the Tokyo Games and at the upcoming 2022 Beijing Winter Games.

After winning the women’s sprint in track cycling on Monday, Bao Shanju and Zhong Tianshi wore pin badges of Mao.

Spot lights light up Tiananmen Gate with its iconic portrait of late Chinese leader Mao Zedong in Beijing (Ng Han Guan/AP)

The communist leader who proclaimed the founding of the People’s Republic of China in 1949 remains an iconic figure in that country 45 years after his death in 1976.

The incident came one day after American shot-put silver medallist Raven Saunders crossed the wrists of her raised arms on the podium. She was standing next to the gold medallist from China.

It was unclear if the Mao pins were a response to the shot-put medal ceremony.

“We have contacted the Chinese Olympic Committee, asked them for a report about the situation,” IOC spokesman Mark Adams said at the daily news conference at the Tokyo Games.

Badges showing Mao’s profile were worn by hundreds of millions of people in the 1960s to show their loyalty to the Communist Party chairman and the ultra-radical Cultural Revolution he launched in 1966.

China’s current party chief, Xi Jinping, has invoked Mao’s image as he tries to promote his own status as a history-making Chinese leader.

At a July 1 event, Mr Xi appeared on Tiananmen Square in central Beijing in a gray Mao jacket identical to one worn by the former leader in a nearby portrait overlooking the square. Other party leaders at the same event dressed in blue business suits.

The IOC has publicised its president Thomas Bach’s regular calls with Mr Xi ahead of the Beijing Olympics opening in February, which human rights activists have tried to brand the “Genocide Games” because of the government’s treatment of Muslim minority Uyghur people in China’s north-west.

Raven Saunders, of the United States
Raven Saunders, of the United States, poses with her silver medal on women’s shot put at the 2020 Summer Olympics (Francisco Seco/AP)

At a Tokyo Olympics, where athlete activists were expected to draw attention, Saunders pushed at the limits of Rule 50 by crossing her wrists to make the shape of an X.

”It’s the intersection of where all people who are oppressed meet,” Saunders said when asked to explain it.

The IOC has asked US team officials for more details, Mr Adams said, adding it noted public opinion in the case. There has been wide support for Saunders, who is Black and gay.

Saunders said at the Olympic track her aim was “to show younger people that no matter how many boxes they try to fit you in, you can be you and you can accept it”.

The IOC has long claimed it is politically neutral and must maintain that stance to allow more than 200 national teams to arrive and compete at an Olympic Games as equals.

Still, the rule prohibiting all athlete protests in Olympic venues was eased slightly in the weeks before the opening ceremony in Tokyo where athletes were expected to test its limits.

Gestures and statements are now allowed inside the field of play at the start line or before a game, though not during competition or at medal ceremonies. Several women’s football teams, for example, kneeled on the field before kick-off on the first day of Olympic action on July 21.

The Mao pins, though, were an unexpected twist on the Rule 50 debate.

The wearing of such badges declined after 1970 due to complaints producing them used up scarce supplies of metal required by Chinese industry. The original Cultural Revolution-era ones are sought after by collectors, both in China and in the West.

By Press Association

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